maybe by the sultan’s favorite in the harem—and that they were legendary for
a time! I’m also convinced that for this very reason all the mediocre
miniaturists; muttering enviously to themselves; imitated this horse and
multiplied its image。 In this fashion; the wonderful horse with its nostrils
gradually became a model of form ingrained in the minds of the artists in that
workshop。 Years later; after their rulers were defeated in battle; these painters;
like somber women headed to other harems; found new shahs and princes to
work for in new countries; and carried with them; stowed in their memories;
the image of horses whose nostrils were elegantly cut open。 Perhaps under the
influence of different styles and different masters in different workshops;
many of the artists never made use of and eventually forgot this unusual
image which noheless remained preserved in a corner of their minds。
Others; however; in the new workshops they joined; not only drew elegant
clipped…nosed horses; they also taught their pretty apprentices to do the same
with the encouragement that ”this is how the old masters used to do it。“ So
then; in this manner; even after the Mongols and their hardy horses retreated
from the lands of the Persians and Arabs; even centuries after new lives had
begun in ravaged and burned cities; some painters continued drawing horses
this way; believing it was a standard form。 I’m also sure that others still;
pletely unaongol cavalry and the clipped noses
of their steeds; draw horses the way we do in our workshop; insisting that this
too is ”a standard form。“”
“My dear master;” I said; overwhelmed with awe; “as we hoped; your
”courtesan method‘ truly did produce an answer。 It seems that each artist also
bears his own hidden signature。“
“Not each artist; but each workshop;” he said with pride。 “And not even
each workshop。 In certain miserable workshops; as in certain miserable
families; everyone speaks in a different voice for years without acknowledging
359
that happiness is born of harmony; and that as a matter of course; harmony
bees happiness。 Some painters try to illustrate like the Chinese; some like
the Turkmen and some like they do in Shiraz; fighting for years on end; never
attaining a happy union—like a discontented husband and wife。”
I saw that pride quite definitely ruled his face; the cross expression of a man
who wanted to be all powerful had now replaced the look of the morose;
pitiable old man that I’d seen him wear for so long。
“My dear master;” I said; “over a period of twenty years here in Istanbul;
you’ve united various artists from the four corners of the world; men of all
natures and temperaments; in such harmony that you’ve ended up creating
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